© 2017 Elisabeth Flunger

play : cornucopia 2013
Hotel Pupik, Schrattenberg 17.8.2013 video

"naides hoc, pomis et odoro flore repletum,
sacrarunt; divesque meo Bona Copia cornu est." Ovid, Metamorphoses





play : out of the box 2014
Metal objects: Andreas Hamacher
Paintings, boxes: Bettina Reichert
Trier 24.5.2014 video







Any other activities are going on at the same time 2012
music?
Katharina Bihler v, Elisabeth Flunger perc, Stefan Scheib db
program

“But I would like to have a new music, composed of reality noises.” Valeska Gert






freie radikale 2012
music, dance, sound poetry, slideshow
Elisabeth Flunger perc, Susanna Gartmayer bcl, Sabina Holzer dance, Emmanuelle Pellegrini poetry
Essl Museum 18.4.2012 video








linien – lignes – lines 2011
live music, live drawing, video, text, and a book
Gérard Delesse cl fl, Elisabeth Flunger perc, Tomás Tello git, Ada Günther drawing
Sarreguemines 1.10.2011 video

"A horizontal dash: the prone woman. A vertical dash: the man penetrating her." Adolf Loos







meeting, wunderbare reise, große kreise 08 2005-2011
audience actions

"If you celebrate it, it's art, if you don't, it isn't." John Cage.







ISOpopcorn 2009/2010
video installation & performance
Elisabeth Flunger soundtrack, percussion
Sneja_D video, programming
Dudelange 19.11.2010 video







play 2004-
sound, space, and objects
Hotel Pupik 17.8.2013 video
Trier 24.5.2014 video

"Play them anyway you like!" John Oswald




"Elisabeth flunger tisse. Elle relie dans la fluidité des objets métalliques improbables tantôt frottés, lancés, poussés, tirés, charriés sur scène. Le tout avec la simplicité d'une chercheuse de sons ne se souciant pas de mise en scène. Ici le corps est tout entier au service de la résonance. Simplicité donc mais aussi rigueur et précision du toucher font de ces métaux hétéroclites un véritable orchestre de percussions. Avec ce qu'il faut de silence pour vraiment entendre et voyager."
Emmanuelle Pellegrini



Ferragosto II 2007
performance with ambient noise feed

"Also deconstruction or rather destruction is an experience of appropriation, and this destructive appropriation is called (and calls you) to ‘open your ear’." Jacques Derrida







Kabelwerk 2000
Kabelwerk Wien 18.3.2000 video

"So what is art but personalizing found objects?"
Morton Feldman








Das Bad der Diana 2001
with Jack Hauser (live video and super8 viewing)

“Certainly the invisible Diana, while she looks at Aktaion envisioning her, thinks on her own body.” Pierre Klossowski








fLÜSTERN 1999
with LuxFlux and Karlheinz Essl in the bath house of Sargfabrik, Vienna

"That way, I only wanted to kill my time." Marcel Duchamp





Damen-Improvisation und HerrenBIGbäng
indoor & outdoor performances 1995-2000

"Work, strenuous, intensive work, which tasks you with all your brain and nerves, after all is the major joy in life." Rosa Luxemburg